Showing posts with label ArmadilloCon. Show all posts
Showing posts with label ArmadilloCon. Show all posts

Thursday, July 31, 2014

Convention Panels and Expertise

So, this was a response I got to the last blog on ArmadilloCon, specifically in response to my self-admitted lack-of-expertise in the subject of the panel I was on:

I keep pushing the idea that participation in convention panels should be open to the public, and the panels pitched SXSW-style: that is, a group of panelists puts together a panel proposal, and then members vote on the panels they want to see. All too often people in the audience (at least some of them) know more about the subject than those on stage. 

It's an interesting idea, but for a volunteer organization to implement successfully... pretty challenging.  The sausage-making of coordinating the schedule of some several dozen programming participants into a cohesive set of panels, readings and events is an undertaking, especially when done almost entirely out of love.  Adding another layer of democracy to that undertaking is not something I would wish on anyone.

That said, the underlying complain has validity.  Lord knows that at the conventions I've attended, I've seen some panels where the members really didn't have much business being on it.  Hell, I've been on panels where I didn't have much business being on it.  At least this time around, my two more problematic panels were subjects I had an interest in, and had done some research on the subject beforehand. 

Even if you line up participants-to-panels perfectly, however, any panel that isn't just one person giving a set lecture (and thus... not really a panel) is going to be an organic thing.  Unless the moderator rules it with an iron fist, it's going to go where the people on it are going to take it. 

Not to mention, any given panel usually has its title and, perhaps, a sentences or two of extra description.  The programming coordinator might have had one idea of what a panel is going to be about, while the participants might-- each individually-- have another, and members of the audience something completely different from all of that.  Sometimes you just ride the wave where it takes you.

On top of that, when the context is a SF/F/Genre/Lit Convention, I don't think anyone in the audience is expecting or demanding of academic credentials from the panel.  They know that the panel consists of spec-fic writers who are mostly doing what they know best: speculating and story-telling.  Besides, in my Alcohol In Speculative Fiction panel, I don't think anyone wanted me to drone on about the history of development of beer, wine and distilled spirits. 

All that said, there's nothing wrong with just plain bowing out of a panel in which you would truly be out of your depth.  I was assigned one originally at ArmadilloCon that I was totally at a loss about, and immediately asked to be taken off it. 

Though, to a degree, if you're up on a panel, on some level you are presenting yourself as an "expert", and it's good to do your best to show yourself as one.  Or, if nothing else, be up front about your lack of expertise.  And be entertaining.  That's the thing I most want from a panel, after all.


Monday, July 28, 2014

ArmadilloCon Survival Report

So now ArmadilloCon is done, and it was a lovely time.

Friday was the Writers' Workshop, where we had plenty of good discussion in the morning sessions, and my critique students were an excellent group of people who are all on the verge of breaking through to the next level.  There were some administrative snafus (i.e., mistakes on my end of things), but our astounding volunteers Rebecca, Melissa and Beth helped keep things from flying off track. 

Plus I made sure Stina got a round of applause for all her years running the workshop.  Apparently next year, I'll be in charge.  Still contemplating that.

After the workshop, I swung home briefly* for dinner, and came back for my evening panels.  First was Protecting the Indigenous Tribes, which I had been a bit nervous about, but it went nicely, mostly because my panel-mates had interesting things to say, and we had a small-but-engaged audience.  Next was the raucous 40 Years of D&D, in which we mostly talked about our personal history with playing, favorite characters we played, and how it influenced our writing.  And we had to roll for initiative to talk.  Lots of fun, especially talking about how my love of playing thieves and mages influences the central character of Thorn, and the fun you can have role-playing a character with a terrible stat. (Namely, a Constitution of 5**)  After that, I ended up talking to Mark Finn and Mark Carroll more about gaming.  (Or, more correctly, listening to them, since I was starting to fade out.)

Saturday, I returned for another of my nervous-about-this panel on Aztec mythology in genre fiction.  Again, it went better than I had feared it would.  I didn't make too much of a fool of myself, though we had one audience member who consistently had a light shake of her head and an expression of No, wrong, wrong.  I found out after the fact that she was a PhD in Anthropology specializing in Mezoamerican cultures, so she probably had good reason.  If you're reading this: Sorry.  If I had known, I would have dragged you up with us.

Alcoholic Drinks in Fiction became Alcoholic Drinks in Writers, since a wonderful member of the audience bough drinks for the panel.  I may have prompted that a little.  But it was a very fun panel.   I hung around and did the BarCon thing for a while, mostly talking with Amanda Downum about each others work and alcohol, with Alex Renwick about the Olde Days of South Congress***, and becoming new Best Con Friends with Kat Richardson.  Who is awesome.  Plus many, many, many other people.

My reading went well, where I read the first chapters of both Thorn and Murder of Mages, and I was quite pleased.  And I can fill up an hour, apparently.  Good to know.  After a bit more BarConning, my wife arrived at midnight to sweep me off to her event in a different hotel.

Sunday's panels were early, which was a bit painful (see: swept off at midnight to a different event), but went well.  Best Cons in Genre Fiction was loose and free-form, but Don Webb and Jayme Blaschke are very smart guys to be sitting in a panel with, so it worked quite well.  The coffee had kicked in by the time I did Overhauling a Character, so I got to end my official con duties on a high note, as that was a good, vibrant discussion.

After some more Sunday-Afternoon-Decompression BarCon stuff, I stumbled home and fell down.  But now I'm feeling ready and vital, on the whole a successful con, in as much as one can measure "success".  Plenty of people seemed to be quite excited about Thorn and Murder, and one even said I had already earned a "fan for life".  I'll take that, thank you.   I'm ready to get moving on the rough draft of Murder of Mages II, editing Thorn II and projects beyond.**** 

Looking forward to next year.

---

*- Personally, I loved having the hotel relatively close to the house this time around.
**- For those unversed in game-speak, that's essentially being quite out-of-shape or otherwise unhealthy.
***- By which I mean the 90s.
****- I actually got an offer for a small Project Beyond, so I need to think about what I might do for that.

Thursday, July 24, 2014

Perils of the Writer: The Long Upward Struggle

Tomorrow morning is the Workshop, and my whole weekend is ArmadilloCon (my schedule) so I don't have too much time to write here today.  

But I wanted to talk a bit about how getting to where I am has been a hard struggle.  It's always been hard work, and plenty of times I really questioned myself whether it was worth it. Not to mention the world is full of discouragement.  The odds of getting an agent's attention are astronomical.  Publishers aren't interested in new writers. 

It's very hard to even get to here.  But like Jimmy Dugan says, the hard is what makes it great.

But that means you've got to fight through the hard.  You've got to get up each time you're knocked down. You've got to take every scrap of encouragement and forage it together-- even some spare words of, "You've got a lot of real talent" and make that the only meal you're going to get all year. 

It. Is. Hard.

But it's very possible.

Keep fighting.  See you in the word mines.



Monday, July 21, 2014

My Final ArmadilloCon Schedule

 ArmadilloCon is this weekend, which means I'm in crunch mode.  I've actually tackled quite a bit of my to-do list for this month, but I still have a few big things to do before the conference.  Here's my schedule, and some more cohesive thoughts about each one.  This is all, of course, in addition to the Writers' Workshop, which is all day on Friday.

Protecting the Indigenous Tribes 
Fri 8:00 PM-9:00 PM Room E 
Maresca*, Compton, Wright 
Indigenous peoples confront a diverse range of concerns. What should be done to ensure their existence? 





I have to admit, this one gives me a lot of pause, if for no other reason than the very title is fraught with landmines.  This is an easy conversation to go south with, and I'll confess I do not have any sort of first-hand experience on topic.  I know one point I'd like to hit is how to apply this to SF/F fiction, since, you know, it's an SF/F Lit conference, not an anthropological one.

40 Years of D&D 
Fri 9:00 PM-10:00 PM Room F 
Benjamin*, Finn, Maresca, Marmell, Sarath, Wright 
How did D&D inspire authors? 
I haven't been playing D&D for 40 years, but I started within its first decade (and my own).  I know that my own experience with fantasy as a genre has a lot of roots in D&D.  This should be a fun one. 

Quetzaxuahuitzalochtlicueotl 
Sat 1:00 PM-2:00 PM Room E 
Richerson*, Maresca, Oliver
Discussion of Aztec mythology and why it isn't used in more genre stories. 
This is the other one that gives me some pause, though I'm a little more comfortable with the subject matter.  Nothing which would qualify me as an "expert" in any sense, but certainly bringing Mesoamerican and, in a more modern context, Mexican sensibilities to genre fiction is a topic I'm interested in.
Alcoholic Drinks in Fiction 
Sat 5:00 PM-6:00 PM Room F 
Maresca*, Acks, Allen, Downum, Renwick
Discussing the drinks mentioned in stories, movies and tv. 
I've long been a big proponent of using food in fiction as a means of showing worldbuilding and character, and alcoholic drinks are a key subset of that.  An entertaining subset at that.  So I'll do my best not to be dry and academic about the history of beer or something.
Reading 
Sat 8:00 PM-9:00 PM Southpark A 
Marshall Ryan Maresca
An hour all about ME.  So come to Southpark A and hear me read, probably from both Thorn of Dentonhill and A Murder of Mages.  And, depending, there will be some Q&A.  By which I mean, if someone asks me questions, I will do my best to answer them.

Best Cons from Genre Books 
Sun 10:00 AM-11:00 AM Room D 
Webb*, Blaschke, Maresca 
Not many people are good at writing capers. Which books do it right? 
 I love a good caper.  To an extent, Holver Alley Crew is a caper.  This should be fun.

Overhauling a Character 
Sun 11:00 AM-Noon Room F 
Maresca*, Bracken, Carl, Chang, McKay, Rogers 
Now that you have written a book, go back and rewrite your main character.
I have specific stuff to say here, about the revision process of A Murder of Mages from rough draft to sold draft.  I'm sure everyone else will as well. 


So that's it.  I hope to see some of you there.  If you come, say hello.  I know I'd greatly appreciate it.

Monday, July 14, 2014

Edits and Research and Maps, Oh my!

This blog has, unfortunately for the moment, devolved a bit into "Stuff is happening and I'm busy!"  Today is no exception to that.  In part because I'm finalizing the edits for Murder of Mages so I can turn it in tomorrow. 

On top of that, I've got a fair amount of pre-ArmadilloCon work on my plate.  Part of that is the administrative side of the Writers' Workshop, part is the actual workshopping work for my group, and part is doing additional research and reading to prepare for some of the panels I'm on.

As part of that research, I've been revisiting Jared Diamond's Guns, Germs and Steel and Collapse, two books that have strongly shaped my ideas of worldbuilding.  I've also been thinking about the Columbian Exchange, and how that could be applied to worldbuilding.  I'll be posting more on that in the near future.  And that ties into geography, first and foremost, shaping the worlds we build.

And with geography, there's maps.  I've been re-working the maps to appear in Thorn of Dentonhill and Murder of Mages so they are of publishable quality.  Which is an excellent way for me to be productive while the back of the brain churns on writing things. 

So, back to work in the word mines.


Thursday, June 12, 2014

ArmadilloCon Schedule

ArmadilloCon already has a schedule, which is a pleasant surprise.  Usually you get these things one to two weeks before, not nearly two months of lead time.  Still, it's nice to have a sense of what I'll be doing (besides the Writers' Workshop-- submission deadline is June 15th!), and which subjects I might want to bone up on so I know what I'm talking about.

So, here's my schedule, which I would presume is subject to change.  I'll talk more about it when we get closer to the actual event (July 25th-27th).

Protecting the Indigenous Tribes 
Fri 8:00 PM-9:00 PM Room E 
Maresca*, Compton, Wright 
Indigenous peoples confront a diverse range of concerns. What should be done to ensure their existence? 

40 Years of D&D 
Fri 9:00 PM-10:00 PM Room F 
Benjamin*, Finn, Maresca, Marmell, Sarath, Wright 
How did D&D inspire authors? 

Quetzaxuahuitzalochtlicueotl 
Sat 1:00 PM-2:00 PM Room E 
Richerson*, Brown, Maresca, Oliver
Discussion of Aztec mythology and why it isn't used in more genre stories. 

Alcoholic Drinks in Fiction 
Sat 5:00 PM-6:00 PM Room F 
Maresca*, Acks, Allen, Downum 
Discussing the drinks mentioned in stories, movies and tv. 

Reading 
Sat 8:00 PM-9:00 PM Southpark A 
Maresca 

Best Cons from Genre Books 
Sun 10:00 AM-11:00 AM Room D 
Webb*, Blaschke, Maresca 
Not many people are good at writing capers. Which books do it right? 

Overhauling a Character 
Sun 11:00 AM-Noon Room F 
Maresca*, Bracken, Carl, Chang, McKay, Rogers 
Now that you have written a book, go back and rewrite your main character.

My only comments right now are:
  1. I'm moderating THREE panels.  That should be interesting.
  2.  I have an hour for a reading.  I'll have to think of how to make the best of that.

Monday, June 9, 2014

Why You Should Go to ArmadilloCon Writers Workshop

All right, folks, this is the last time I'll talk about this (this year), but I think it's important:

If you're interested in writing sci-fi or fantasy, and you want to improve your craft, you should attend the ArmadilloCon Writers' Workshop. I could give you all sorts of reasons why, like our fantastic teachers: Mario Acevedo, Jayme Lynn Blaschke, Ted Chiang, Nicky Drayden, Mark Finn, Derek Johnson, Claude Lalumiere, Stina Leicht, Marshall Ryan Maresca, Ian McDonald, Joe McKinney, Alex C. Renwick, Kat Richardson, Dr. Anne-Marie Thomas, Martin Wagner, Jacob Weisman, Martha Wells and Skylar White.

I could tell you that the workshop is a steal at $70, and that includes access to the whole rest of the conference. Most conferences won't even let you in the door for $70, but here you get the conference and the workshop? A workshop where your work gets critiqued by writing professionals? How is that not a great deal?

I could tell you all sorts of things, but if you want to know why it's worth your while, here's the real reason, right here:
The_Thorn_of_Dentonhill

That's the book that I've got coming out next year. I took the first chapter of that to the workshop a few years ago, and due to the critique input I received, I was able to improve the chapter, improve the book and improve my craft as a writer. Did that pay off? Yeah, I think it did. Am I saying if you go you WILL sell your work? Of course not. But you'll get the tools you need to improve your chances.

And on top of that, I want to point out, I'm not shilling for this to line my pockets. I do this entirely as a volunteer, because I think it matters. The people who volunteered before me gave me the helping hand I needed, and I think the best thing I can do is reach out to the ones coming up behind.

Monday, April 14, 2014

ArmadilloCon Writers Workshop 2014

 ArmadilloCon is now three months away, so I figured it was high time to turn up the signal on this year's workshop.  If you are a genre writer looking to get to the next level in your writing, this is a wonderful workshop.  Check it out.

----

Writers' Workshop

Sign up for the ArmadilloCon 34 Writers' Workshop and receive invaluable feedback on your unpublished Sci-fi, Fantasy or Horror story from two SF/F professionals (writers and/or editors), plus critiques from your fellow attendees.
The $70 fee includes lunch on Friday, group sessions, and panels or presentations throughout the day about the craft and profession of writing as well as printing costs. You also recieve admission to all three days of the convention. You can purchase your entry to the workshop on the membership page.

Instructors

Ian McDonald, Ted Chiang, Nicky Drayden, Jacob Weisman, Mario Acevedo, Stina Leicht, Marshall Ryan Maresca and Skyler White. More to be added in the future.
Deadline for Manuscript Submissions will be June 15, 2014.

About the Workshop

The ArmadilloCon Writers' Workshop has become a major event for aspiring SF/F writers. It meets before the convention on Friday morning at 9am and runs until about 4:30pm. Workshop curriculum is designed for beginning and intermediate students. Workshop participants are given the opportunity to have their work critiqued by major professional editors and/or writers. The workshop will cover craft, markets, the dos and don'ts of preparing your work for professional publication, and more. Discussions range from the basics of style to plot, theme, character, and setting. Within the breakout session, students receive an in-depth critique of their work from both instructors and peers. At the workshp, students receive a personal, in-depth critique of their work from instructors and peers, utilizing the Milford style. This roundtable style critique session is invaluable for learning what works, what doesn't, and how to edit your work.

For further information, check out the webpage.

Thursday, February 20, 2014

Mark Your Calendars: ArmadilloCon Writers' Workshop

So, I haven't quite started bulking up my Con appearances yet-- I'll save that more for the back end of 2014, and expect to see me attending several in 2015, at least in Texas. 

But I will definitely be attending ArmadilloCon (July 25th-27th) , in part because it's my local con, and in part because I'm running the Writers' Workshop with Stina Leicht.

I've spoken before of the workshop, and if you followed my Path To Publication posts, you saw that I attended several times before "graduating" to the other side of the table.  So I say as a former student, this is a very valuable resource for an up-and-coming writer.  Now, in being responsible for it, it is of great importance to me to maintain that level of quality.

Think about it: for $70, you A. get full attendance to ArmadilloCon plus B. get the workshop on Friday.  A full day of panels and interactive critique of your work by writing professionals.  For the aspiring professional writer, that is invaluable.

So: Friday, July 25th for the workshop.  Deadline for submission is June 15th.  If you can attend, I highly recommend it.

Monday, July 30, 2012

ArmadilloCon After Report

So now, it's all over.  I'm still not recovered yet, so some of this may be incoherent.

  • Friday we first had the Writers' Workshop, which went very well.  From the response I saw amongst the students, it was a good experience for them.  My group of students, in fact, handled the critique session with a lot of grace and professionalism.  I was teaching with Jeremy Lassen from Night Shade Books, who was a great teacher, and Robert Jackson Bennett, who impressed me a lot with his insight.  
  • Robert had some of the best comments in the large panel section of the workshop, where he compared writing (especially writing a novel) to building a house in the dark from the inside-out.  And the purpose of good critique is to essentially have someone look at one you've done and say, "Hey, man, you put a toilet in the kitchen"-- because you didn't even realize that was a toilet.  It's an odd metaphor, but I think it's apt.
  • I have to say-- one thing I always said when I was in theatre-- half the secret to success is getting the right people, on stage and behind the scenes.  So much of our success is because Stina Leicht did exactly that. She assembled a ridiculously good group of teachers, and brought in volunteers Beth Bugbee and Mandy Lancaster to keep everything running smoother than we could hope for. 
  • Katy Stauber organized our critique group, the Bat City Novelocracy, to have dinner at The County Line with Jeremy Lassen.  Meat and beer and great conversation with new and old friends. 
  • Saturday I returned with my son in tow.  I had two panels and a reading.  The first panel was on SF/F Mysteries, which was a lot of fun and very insightful for me.  Martha Wells, especially, always gives good panel-- I've thought so ever since I started going to ArmadilloCon- so it was a pleasure and honor to share the table with her for that one.  Even if the moderator did bust on us for whispering about Babylon 5.  Then I had "SF and Fantasy and Live Theatre".  That was fun, because any panel with Mark Finn is going to be.
  • I had my reading after Stina had hers (and her book in progress is going to be fabulous if the section she read from is any indication), which was a tough act to follow.  I did my best, reading the opening of Maradaine Constabulary, and on the whole I was pleased with the results.  The crowd reacted well, several people came up to me afterwards telling me they would buy it when it came out.  
  • Then the Bat City Novelocracy gathered in the bar for a late-night critique session of Abby's latest work-in-progress.  That went well into the wee hours of Leigh and Vidya and I throwing brainstorming ideas at Abby before we all crashed.  
  • You know how I mentioned how I had my son in tow?  Yeah.  Let me tell you, he won ArmadilloCon.  Hands down.  He was astounding. He had his art portfolio, which everyone praised.  John Picacio even took time out of his schedule to give him a fair amount of critique and advice.  And he was going to up to everyone and chatting them up.  He did fantastic.  I was amazed and impressed.
  • Sunday was a bit of a haze of weary.  I had two more panels: Importance of Workshops and FutureSex.  FutureSex was especially strange and odd, especially since Mark Finn was present for that one as well.  I'm pretty sure we fell completely away from FutureSex in terms of SF/F literature, and went entirely into the actual future ramifications of robot/holodeck sex and the sexual political ramifications of aliens coming to Earth.
I'm sure there's plenty I missed here.  Like I said, still recovering. 

There's no ArmadilloCon next year, as WorldCon 2013 is in San Antonio.  Looking forward to that.

Thursday, July 26, 2012

Scrambling Together on my End

ArmadilloCon starts tomorrow, so I'm under the hammer getting myself ready.  So, since my brain is already approaching a tapioca-like state, here are some of the other panels which I think might be fun to attend, not including readings.  More coherent blog posts next week.

Fr2000T The Still Changing Definition of Urban Fantasy
Fri 8:00 PM-9:00 PM Trinity
A. Bishop, J. Blaschke, C. Neill, N. Holzner*, S. Leicht, A. Marmell
This subgenre label has been around for decades -- but would War for the Oaks or other classic works even fit in today's category? What does it mean, and what does it include and exclude? How is it changing, and how is it likely to change in the future? 
Fr2200T Writing a Strong Female Protagonist
Fri 10:00 PM-11:00 PM Trinity
M. Bracken, R. Frater, K. Kimbriel, J. Moyer, C. Neill, P. Sarath*
The challenges of writing a tough-yet-relatable heroine. 
Sa1000SB Story Ideas I Hope to Never See Again
Sat 10:00 AM-11:00 AM Sabine
M. Bey*, M. Dimond, B. Hale, A. Marmell
Been there, read that, don't want another t-shirt 
Sa1600SB Learning from Others' Mistakes: Writing Errors to Avoid
Sat 4:00 PM-5:00 PM Sabine
J. Blaschke*, J. Cheney, U. Fung, S. Lynch, J. Moyer, W. Spencer
You don't have to make every writing error personally. How do you use others' failures as a way to improve your own work? 
Sa1700SB Building a Fictional Society from the Ground Up
Sat 5:00 PM-6:00 PM Sabine
A. Bishop, A. Downum, A. Goldsmith, J. Mandala, J. Reisman*, M. Wells
A discussion of worldbuilding in sf/f.
Sa2000SB Tips and Tricks to Write More Gooder
Sat 8:00 PM-9:00 PM Sabine
S. Brust*, A. Downum, G. Faust, S. Lynch, C. Richerson, S. White
The craft and process of writing, and how to bring out your best.

Monday, July 23, 2012

Finalized ArmadilloCon Schedule

And now it's all official.  And, as I expected, I have some more things on my plate then what I posted last week:


Sa1400SB SF/F Mysteries
Sat 2:00 PM-3:00 PM Sabine
S. Cupp, M. Maresca, R. Rogers, P. Sarath*, M. Wells
A discussion of good examples of this mixed subgenre and the special challenges of writing it. 
I asked to be on this one, since Maradaine Constabulary fits right into this.  It is something I'm very interested.  As is one of my Big Influence books, Caves of Steel. Should be fun.
Sa2130SM Reading
Sat 9:30 PM-10:00 PM San Marcos
Marshall Ryan Maresca
It's official!  I'll be dusting off my actorly chops and reading from Maradaine Constabulary.  You will want to come and hear.  It'll be fun, and there will be a free pony given away.*  Plus  Campbell Nominee Stina Leicht is right before me, and you know you want to hear her.  Because she's awesome.  Right?  Right.

Now I just have to figure out what else I'll want to go to.  What looks like fun to you all?
___
*- The pony is a lie. 

Thursday, July 19, 2012

Preliminary ArmadilloCon Schedule

I have my schedule, which is, of course, subject to change.  As with any large, live event with a lot of moving parts, things are subject to change.  A rule of thumb I live by is you're never 100% sure something is going to happen the way it's supposed to happen until it's actually happening.

So what do I have?

Sa1800T Science Fiction, Fantasy, and Live Theater:
Sat 6:00 PM-7:00 PM Trinity
M. Finn*, L. Gorinsky, T. Mallory, M. Maresca, J. Neulander,
The history and challenges of live productions (theater and radio), for either SF or fantasy. Our panel discusses of radio productions and stage recreations, fan & semi-pro theater at conventions, SF&F movies that crossed to or from stage, and the special challenges of live theater for the genre. 
 
Right in my wheelhouse!  Awesome.  Plus Jason Neulander will be there.  He's not typically at ArmadilloCon, since he's more a theatre guy-- just a good chunk of his theatre is SF/F.  His company has gotten a good degree of notice for Intergalactic Nemesis-- which started as a radio play and has expanded into much more.  There is even an Intergalactic Nemesis panel following this one.  But this is the panel I'm looking forward to the most.
 
Su1300SB Workshopping to Success
Sun 1:00 PM-2:00 PM Sabine
M. Dimond, K. Jewell, S. Leicht*, M. Maresca, N. Moore, J. Reisman
What the ArmadilloCon / Clarion / Clarion West / Odyssey did for me (as a student or a teacher)
 
So I'm on this one, clearly, to talk about the ArmadilloCon Writers' Workshop.  Which is good, because I'm probably its biggest advocate.  
Su1400T Future Sex: The Shape of Things to Come
Sun 2:00 PM-3:00 PM Trinity
C. Brown, M. Maresca, R. Klaw, J. Nevins, P. Roberts*
As humans reshape their society, their bodies, their culture, how will the most intimate of activities change? 
 
Ooh,  Cybersex?  Alien sex?  Cyberaliensex?  All right.  
I may have another one added, we'll see.  Plus, I have requested a reading slot.  Those aren't assigned yet, but if I have one, I will most likely be reading from Maradaine Constabulary.  And that will be fun.  I promise.  You should come to that.  Really.  You.

Thursday, July 12, 2012

Sitting at the Grown-up Table

Two weeks from tomorrow ArmadilloCon kicks off*, starting with the Writers' Workshop.  I'm really excited.  This is my second year on the teachers' side of things for the Workshop, and even having done it before, I'm rather nervous about it.

When it comes down to it, part of that stems from Imposter Syndrome.  My status as a "professional writer" sometimes feels Pinocchio-like: I have an agent, but I don't have books on shelves yet.  So I don't get to be a "real boy".  At least, not while sitting up there with these people.

However, I tell myself, "These feelings will go away once I have an actual book on shelves", I sometimes think that won't be true.  After all, I told myself before, "These feelings will go away once I have an agent". 

Part of it, I think is, I have a strange habit of still feeling like a kid sitting at the grown-up table, especially in situations like this.  It doesn't make much sense, given that I'm nearly 40-- and hell, some of the people on that panel are younger than me-- but on some level I still have a self-image of the clueless 23-year-old.  The one who drove to Austin with a car full of possessions and a complete lack of plan of what he was going to do with himself.**

Now, when it comes to being a Writing Professional, I know part of that feeling comes from getting serious about Writing relatively late in the game.  I would say it wasn't until 2007.  Before that, I was mostly just saying I intended to Be A Writer, and despite some playwriting success, it was far more talking about What I Would Write rather than actual writing.  So here I am-- almost 40, and not quite there yet. 

But I am at the Grown-Up Table, so that's something.

---
*- This is what I'm going to be talking about for a the next few weeks.  So just be prepared. 
**- Given that, I think I did all right.

Thursday, June 14, 2012

Excerpts and Workshops

It's been a busy week on this end, so this post will mostly be links.

First, I've updated the Works page on my homepage.  I updated the samples of Thorn of Dentonhill, Holver Alley Crew and Maradaine Constabulary, as well as adding an in-draft sample of Way of the Shield.  The Bat City Novelcrats will be tearing up Shield in the near future, so if you want an early stab on that, feel free to check it out and tell me how many mistakes I made. 

After all, I can always use more critiquing.  And so could you! The deadline for the ArmadilloCon Writers' Workshop is fast approaching.  (How's that for subtlety?)

Seriously, the deadline is on Monday.  You may look at it and say, "Hmm, that's $75.  That's a lot."  But you get membership to ArmadilloCon with it, and THAT is worth $40.  Plus you get lunch.  That's, like, another $10.  So, if you think about it, it only costs $25.  You get hands-on critiquing and interaction with TONS of writing and publishing pros for $25.  You can't beat that value.  Again, here's the line-up of teachers:

Elizabeth Bear, Julie Kenner, Scott Lynch, Robert Bennett, Liz Gorinsky, Mark Finn, Martin Thomas Wagner, Martha Wells, Matthew Bey, Nicole Duson, Scott Johnson, Jessica Reisman, Cat Rambo, Joe McKinney, Marshall Ryan Maresca, Anne Bishop, Stina Leicht, Jeremy Lassen, and Amanda Downum.

See?  Awesome.  Well, awesome and that Maresca guy.  But he probably won't make it lame.  

Monday, June 4, 2012

Adding just a hint of mustard

Seven years ago, when I first participated in the ArmadilloCon Writers' Workshop (two more weeks until the sign-up deadline!), I brought the first chapter of an early draft of the now-trunked Crown of Druthal.  I've mentioned before that I went in cocky and got properly shredded. 

But one bit of shredding stuck with me, even as I thought it was odd and out of place.

In said first chapter, my main character (Augustine) meets some friends in a restaurant for a bit of character- and world-building scenes before he gets grabbed by the King's Marshals and dragged into the plot.  It's not a terrible bit, but my writing was all over the place-- bad POV and tense use. Seriously, embarrassing.  And it got shredded.

But one bit of shredding really stayed with me, partly because I thought it was so odd.  At the restaurant, Augustine's food comes-- roasted chicken, cheese, bread, and mustard.  He particularly relishes the mustard.

And one of the critique partners of that sessions mentioned, "And you go on and on about the mustard."

I should mention that the mustard?  Is one sentence.  And not some overlong, rambling around sentence of craziness. 

So, of course, I thought, "This guy is crazy.  I shouldn't listen to him."

Later I considered it more.  And it became clear to me that the problem wasn't the mustard in and of itself.  The problem was all sorts of little details that were just condiment, not meat.  World-building and atmosphere, but no real content.  The mustard was just the breaking point for this guy.  It seemed to him to be me going on and on, and in a way I had been. 

In short, I had become a rambling storyteller than makes you want to scream, "Get to the point already!"

So this is the point: mustard has to be applied judiciously.  Just enough to give a kick.  But not so much as to overpower the real meat of what you're eating.

Time to go spread a little on.

Thursday, May 17, 2012

Another Plug of ArmadilloCon Writers' Workshop

The deadline for submissions for the ArmadilloCon Writers' Workshop is a month away.  High time to plug it again.
--
The ArmadilloCon Writers' Workshop has become a major event for aspiring SF/F writers. It meets on Friday morning before the convention and runs for seven hours when the convention starts. Workshop curriculum is designed for beginning and intermediate students. Workshop participants are given the opportunity to have their work critiqued by major pro editors and/or writers. The workshop will cover craft, markets, the dos and don'ts of preparing your work for professional publication, and more. Discussions range from the basics of grammar and style to plot, theme, character, and setting. Within the breakout session, students receive an in-depth critique of their work from both instructors and peers. This roundtable style critique session is invaluable for learning what works, what doesn't, and how to edit your work.

This years instructors:
Elizabeth Bear, Julie Kenner, Scott Lynch, Robert Bennett, Liz Gorinsky, Mark Finn, Martin Thomas Wagner, Martha Wells, Matthew Bey, Nicole Duson, Scott Johnson, Jessica Reisman, Cat Rambo, Joe McKinney, Marshall Ryan Maresca*, Anne Bishop, Stina Leicht, Jeremy Lassen, and Amanda Downum.

Check the website for specifics on registering.

I'm really looking forward to this year's workshop and con.  If you are a writer looking towards publication-- especially in the Central Texas area-- I cannot stress enough its value.  It's really an amazing experience, and compared to most other workshop/conference opportunities, it is a downright bargain
___

*- Yeah, we totally could play the "One of these things is not like the others" game with this group, hmm?  

Thursday, February 16, 2012

First Plug at ArmadilloCon Writers Workshop 2012

It's time to start thinking about ArmadilloCon 34, especially since this year it will be at the end of July instead of the end of August.  You don't want to be sitting around mid-July and think, "Oh, yeah, I should plan to go to that" and then realize it's next weekend.  That would be bad.

And, of course, I'm plugging the Writers' Workshop. It's not hard to see why, especially since this year I have full-fledged "Workshop Coordinator" status.  No "Assistant" on my title this time around!  (Note: I don't think my actual duties will change in the slightest.  But who doesn't love a title bump?)

So what's it all about, if you don't know already?  Check out this post by the fantastic Stina Leicht*, the head coordinator of the workshop. 

And then go sign up.

___

*- Really, fantastic.  Of Blood and Honey was one of the best books I read last year, and with her upcoming And Blues Skies from Pain, she's got some serious Campbell Award buzz.  Which I fully endorse.

Thursday, December 29, 2011

Plans for 2012


I did accomplish a lot of things in 2011, but on some level I always feel like I could have done more.  So here are my Unrealistic Goals for 2012:
1.    Get a book deal for Thorn of Dentonhill.  On some level, this is out of my hands.  I would really like to say 2012 is going to be my year for this to happen.  But the industry moves slow, and I need to be patient.  But fingers crossed.
2.    Finalize Holver Alley Crew, make that book deal as well.  Because we should either go big or go home, right?
3.    Final draft of Maradaine Constabulary.  Have Mike approve that and start selling it.  If we can get the hat trick with the book deals, all the better.  But that might be pushing, even in the dreams department.
4.    Finish Rough draft of Way of the Shield.  Because I need to have the new project working as well.  Move or die, just like a shark.  And with that, I’ll finish all four planned Heroes of Maradaine first books.
5.    Finish worldbuild and outline for Banshee and Starcrossed.  Knocking out a first draft wouldn’t suck, either.
6.    Outline/Worldbuild for one or more of the unnamed YA/Heroine/Steampunk projects.  Because I’ve got stuff rattling around in my skull that wants to get out.

In addition, I’ll be attending Boskone (just as an attendee, not as programming) and ArmadilloCon 34, including the Writers’ Workshop.  And there will probably be a few short plays written in that time as well.
So, that should keep me plenty bust for the next twelve months.

Monday, August 29, 2011

ArmadilloCon After Report

Now it's over and done, this is the last I'll post on ArmadilloCon for a while. 

First off, the Writers' Workshop went very well.  I'm very happy to be a part of it.  My group of students (with Julie Kenner and Rosemary Clement-Moore) were all fantastic, and did a very good job taking critique and giving it to each other. Not to mention listening to my rambling with cheer and good grace.  Stina Leicht, the Workshop Coordinator did an amazing job and is an amazing person.  And if the excerpt she read from her second book is any indication, it's going to be astounding.  If you haven't read Of Blood and Honey yet, what are you waiting for?

Some other high points:
  • Seeing people I hadn't seen in a while (like Kimberly Frost) and meeting some fantastic people for the first time (like Scott Lynch and Elizabeth Bear).  I may have gotten a bit fanboy around Scott. But only because Lies of Locke Lamora is just that good.  And his reading from upcoming Republic of Thieves has me very excited for that one.
  • Lou Anders of Pyr Books, the editor special guest of the con, was brilliant and informative and very personable with everyone who came up to him.  And he spoke at length praising and promoting my fellow Onyxhawke-represented author James Enge.  I think a lot of people left the Con with him on their to-read list.
  • Paolo Bacigalupi, the Guest of Honor of the con, is totally hysterical. Especially when he's sitting next to Lou Anders. If those two had a podcast, it would be the best thing ever.
  • My panels were a lot of fun.  The Food one was a hoot, especially given that it was at 10PM Friday night.  I talked at length about food and worldbuilding and culture and exotic fruits and okra.  No one made me shut up.  The one on Class in SF/F was very cool, and a packed room, but that was since it was me with Joe Lansdale, Will Shetterly and Scott Lynch.  The Singularity panel was fascinating, especially since Bruce Sterling was a surprise late addition to the panel.  I'd like to think I didn't totally embarrass myself on that panel, though I'm probably wrong.
  • On that note, a public apology to Elze Hamilton.  I claimed a certain story was an Asimov story, insisting even after she said it was Greg Egan. I dug through my books last night and found out I was in error. So: I was completely wrong, she was completely right.  I'm very sorry, Elze.
And I pretty much fell into a mini-coma after getting home.  So now: back to work.  Plenty to do.